MVRDV的“拓印”项目目前已建成。这个新的艺术娱乐综合体紧邻首尔仁川机场，由两幢建筑组成。其中一座建筑是俱乐部，另一座建筑则用作室内主题乐园，无窗建筑体具有三个关键的设计元素：源自周围建筑立面特征的“拓印”，如剧院幕布般被掀起的入口，以及覆盖俱乐部建筑一侧的金色光圈入口。

MVRDV has completed construction on The Imprint, a new 2-building art-entertainment complex in close proximity to Seoul’s Incheon Airport. Featuring a nightclub in one building and indoor theme park in the other, the windowless structures feature three key design elements: imprints of the façade features of surrounding buildings, lifted entrances, and a golden entrance spot covering one corner of the nightclub building.

图/Image: Ossip van Duivenbode

“拓印”，金白交辉的建筑体在阳光下熠熠生辉

The Imprint, a White-and-Gold Art-Entertainment Complex

MVRDV的“拓印”项目是百乐达斯城度假村的一部分，该度假村共有6座建筑，提供全套娱乐活动和酒店服务，与韩国最大的仁川机场只有不到一公里的距离。针对俱乐部和室内主题乐园，业主对这两座建筑的设计提出了一个设想，希望能获得一个无窗、但仍然与度假村中的其他建筑融合在一起的方案。因此，“拓印”的设计开始于一个简单的问题：即使不需要窗户，我们是否能设计一个富有表现力的立面来与周围的环境形成联系?

MVRDV’s The Imprint is part of the larger ParadiseCity complex of 6 buildings in total, which will provide a full suite of entertainment and hotel attractions less than a kilometre away from South Korea’s largest airport. Given the proposed programme of the 2 buildings – a nightclub and indoor theme park – the client required a design with no windows, yet one that still integrated with the other buildings in the complex. The design of The Imprint therefore arises from a simple question: can we design an expressive façade that connects with its surroundings even though it has no windows?

图/Image: Ossip van Duivenbode

“拓印”的立面是其所处环境的产物；周围建筑的特征被投射并拓印在综合体上

The façades of The Imprint are literally a product of their environment; features from the surrounding buildings are projected and imprinted onto the buildings

周围建筑的立面被投射在综合体上，如影子般垂落在这些形式简单的广场和建筑表皮， “拓印”成立面上的浮雕图案，实现了业主的期望。

The design achieves this by projecting the façades of the surrounding buildings in the complex, which are ‘draped’ over the simple building forms and plazas like a shadow, and ‘imprinted’ as a relief pattern onto the façades. 

图/Image: Ossip van Duivenbode

周围的建筑物被“拓印”在立面上

The façades of the surrounding buildings are ‘imprinted’ as a relief pattern onto the complex

“通过将周围建筑置入我们建筑的立面和中央广场，我们将‘拓印’与周边环境联系起来。”MVRDV建筑规划事务所联合创始人和项目主创设计师Winy Maas说: “这可以确保一致性。百乐达斯城不是像拉斯维加斯那样的独立建筑的集合，而是一个真实的城市。

“By placing, as it were, surrounding buildings into the facades of our buildings and in the central plaza, we connect The Imprint with the neighbours,” says Winy Maas, principal and co-founder of MVRDV. “This ensures coherence. Paradise City is not a collection of individual objects such as Las Vegas, but a real city.”

图/Image: Ossip van Duivenbode

建筑与周围环境形成联系

Imprinted architecture connect with the surrounding buildings

为了获得期望的周边建筑的“拓印”，综合体的立面由玻璃纤维钢筋混凝土面板构成。项目共使用3,869块面板，其中大部分都是不重复的。为此，MVRDV专门设计了3D模型文件，用以单独制作模具。面板安装完成后会被漆成白色，用以强调方案中的浮雕构想。

In order to achieve the desired ‘imprint’ of the surrounding buildings, the façade of the Paradise City project is constructed of glass-fibre reinforced concrete panels. As many of the 3,869 panels are unique, the construction required moulds to be individually produced using MVRDV’s 3D modelling files from the design phase. Once installed, these panels were painted white in order to emphasise the relief in the design.

Image: Ossip van Duivenbode

当地工人为广场漆上金色的涂料

The floor is painted gold to create the impressive gold spot

正如Winy Maas解释的那样：“两个月前，大部分立面包覆工作已经完成，我们的业主看到后说，‘这是一件艺术品。‘巧合的是，他们正以此为目标——娱乐可以成为一种艺术，建筑也可以变成一种艺术。那么，建筑和艺术的区别是什么呢？这个项目就是以此为目的而展开的，抽象性就是其中的一部分，但它必须让人感到惊叹、受到诱惑，并且能够保持平静。

As Winy Maas explains: “Two months ago most of the cladding was done and client said, ‘this is an art piece. What is interesting about that is that they are looking for that momentum—that entertainment can become art or that the building can become artistic in that way. What, then, is the difference between architecture an art? The project plays with that and I think that abstraction is part of it, but it has to surprise, seduce and it has to calm down.”

Image: Ossip van Duivenbode

惊叹，诱惑，最终都归于平静

Suprise, allure, finally will be calmed down

Image: Ossip van Duivenbode

俱乐部大楼入口处的金色光圈，甚至会吸引降落在仁川机场的旅客

A splash of gold at the entrance to the nightclub building will even grab the attention of passengers landing at Incheon Airport 

入口处，立面就像被掀起的剧院幕布，露出室内的镜面天花板和玻璃多媒体地板，并且散发出一种狂欢正在发生的感觉。“反射和戏剧化因此结合在一起，”Maas总结道：“在我们的设计中，当夜晚的冒险结束后，白天建筑物会流露出一种禅意的寂静，为之后的派对提供了一种完全相对的环境。如果乔治·德·基里科还在世，我想他会想要画它。”

The entrances, where the façades are lifted like a curtain to reveal mirrored ceilings and glass media floors, exude a sense of the excitement happening inside. “Reflection and theatricality are therefore combined,” concludes Maas. “With our design, after the nightly escapades, a zen-like silence follows during the day, providing an almost literally reflective situation for the after parties. Giorgio de Chirico would have liked to paintit, I think."

Image: Ossip van Duivenbode

建筑的入口处，立面就像被掀起的剧院幕布

At the entrances to the buildings, the façades are lifted like a theatre curtain 

Image: Ossip van Duivenbode

建筑的入口内部，镜面天花板和玻璃多媒体地板让游客对室内的娱乐活动产生

令人激动的遐想

In the entrances to the buildings, mirrored ceilings and glass media floors provide an exciting introduction to the entertainment inside 

MVRDV 事务所由Winy Maas, Jacob van Rijs和Nathalie de Vries于1993年在荷兰鹿特丹创立。其设计和研究旨在为全球的当代城市规划和建筑设计提供解决方案。已建成的项目包括2000年汉诺威世博会荷兰馆，鹿特丹的市集住宅，天津滨海图书馆，香奈儿水晶屋，宝格丽吉隆坡旗舰店等。MVRDV的作品遍布全球，并多次获得国际奖项。MVRDV同时与荷兰代尔夫特理工大学开展合作，开设了The Why Factory，一个探讨未来城市规划与建筑的智库与研究机构。