OMA设计的台北表演艺术中心竣工

Chris Stowers 摄影 | Photography by Chris Stowers

×Scroll down to view English version×

由OMA / 雷姆．库哈斯及大卫．希艾莱特所设计的台北表演艺术中心竣工。这个小巧灵活的空间位于台北充满活力的士林夜市，是一个具有表演艺术新可能性的场所。中心的公共回路开放予公众参观，鼓励大众进内体验剧场的不同面貌。

Chris Stowers 摄影 | Photography by Chris Stowers

建筑是把800席球剧场、1500席大剧院和800席蓝盒子这三个剧场嵌入一个中央立方体而组成的。立方体容纳舞台﹑后台和技术支援空间，并让大剧院和蓝盒子组合成为一个超级大剧场。这个巨大的空间有着工业建筑的特性，可以在此进行意想不到的演出。球剧场有一个独特的镜框开口，让创作人实验舞台景观的不同可能性。

Frans Parthesius 摄影 | Photography by Frans Parthesius

中央立方体从地面升高，形成一个景观广场。从这里，公共回路贯穿通常被隐藏的剧场基础设施和制作空间，沿途设有剧场风景窗，让参观者看到三个剧场的内部情况。

Chris Stowers 摄影 | Photography by Chris Stowers

创始合伙人雷姆．库哈斯表示﹕“剧场历史源远流长，我们观察到当代剧场空间日趋公式化，其内部运作原则守旧。我们希望丰富这段历史。在台北这里，我们能够将三个剧场以独特的方式组合起来。我们期待看到这座建筑对于扩大剧场的可能性带来什么冲击。”

管理合伙人——建筑师大卫．希艾莱特表示﹕“三个剧场嵌入一个中央立方体的组合，形成剧场崭新的内部运作模式，启发超乎想象的创作。公共回路向不论有否持票的参观者展现这些新作品，以及其创作的过程。我们对于可以看到建筑如何持续在创作人﹑观众以及大众之间产生各种出人意表的互动感到兴奋。”

Chris Stowers 摄影 | Photography by Chris Stowers

姚仁喜|大元建筑工场创始人，台湾设计合作建筑师姚仁喜表示﹕“这座新建筑物不仅向全世界展现出独特而全新的剧场形式，而且也完美地融入它的所在地——也就是台北市庶民生活的正中央。这座建筑物如实坦陈、亲和又不加矫饰的空间，适切地呼应了台北市民与艺术互动随机而自然的态度。”

Chris Stowers 摄影 | Photography by Chris Stowers

在建筑形态方面，与有前后之分的一般表演艺术中心不同，北艺中心有几个不同的面向。立面不透光的剧场从中央立方体凸出，仿如神秘的量体停靠于丰富多变而明亮，有着波浪玻璃立面的立方体。

北艺中心董事长刘若瑀表示：“北艺中心的竣工代表着艺术界很大的意义，它特别就在，属于陪伴年轻人成长的平台，透过不停省思实作，让未来艺文场域成为一个可观的成果。”

北艺中心执行长王孟超说明：“北艺中心竣工预示着台湾剧场走向21世纪当代剧场，开放所有的观点，纳入所有的可能，一切艺术形式在这里都有可能发生。”

Chris Stowers 摄影 | Photography by Chris Stowers

项目由雷姆．库哈斯﹑大卫．希艾莱特以及项目总监林家如带领，姚仁喜|大元建筑工场为台湾设计合作伙伴。

项目设计顾问包括Inside Outside﹑奥雅纳 (Arup) ﹑dUCKS Scéno以及 Royal HaskoningDHV。

2022年3月至5月期间，台北表演艺术中心举行了多场试演，中心将于8月正式对公众开放。

图片版权归OMA所有

OMA-Designed Taipei Performing Arts Center Completes

Chris Stowers 摄影 | Photography by Chris Stowers

OMA / Rem Koolhaas and David Gianotten-designed Taipei Performing Arts Center completes. This compact and flexible space at Taipei’s vibrant Shilin Night Market is a place for new possibilities in performing arts. Its free-to-access Public Loop invites the masses into the building to experience different aspects of the theater.

The building is composed of a spherical 800-seat Globe Playhouse, a 1,500-seat Grand Theater, and a 800-seat Blue Box plugged into a central cube. The cube accommodates the stages, back stages, and support spaces of the three theaters, allowing the Grand Theater and the Blue Box to be coupled to form a Super Theater—a massive space with factory quality for unsuspected performances. The Globe Playhouse with a unique proscenium
allows experimentation with stage framing.

牧童摄影 | Photography by Shephotoerd Co. Photography

The central cube is lifted off the ground to create a landscaped plaza. From there, a Public Loop – with portal windows open to view inside the three theaters – runs through the infrastructure and spaces for performing arts production that are typically hidden.

牧童摄影 | Photography by Shephotoerd Co. Photography

Rem Koolhaas, Founding Partner: “Theater has a very long tradition. We have seen contemporary performance theaters increasingly becoming standardized, with conservative
internal operation principles. We want to contribute to the history of the theater. Here in Taipei, we were able to combine three auditoria in a particular way. We are interested to see how this architecture will have an impact in terms of extending what we can do in theater.”

David Gianotten, Managing Partner – Architect: “The configuration of three theaters plugged into a central cube has resulted in new internal workings of the performing spaces to inspire unimagined productions. The Public Loop exposes visitors with and without tickets to these new works and their creative processes. We are excited by how the building constantly generates new relationships between artists, spectators, and the public.”

Chris Stowers 摄影 | Photography by Chris Stowers

Kris Yao, Founder of KRIS YAO | ARTECH, the Taiwanese design collaborating architect: “This new building not only presents itself to the world as a brand new and unique configuration of theater complexes, it also sits perfectly in its location – right at the center where the plebian life of Taipei happens. Its informal, unpretentious, and raw architecture spaces echo the spirits of how citizens of Taipei approach art.”

牧童摄影 | Photography by Shephotoerd Co. Photography

In terms of architectural form, Taipei Performing Arts Center has multiple faces defined by the protruding auditoria—different than typical performance centers that have a front and a back side. The auditoria with opaque facades appear as mysterious elements docking against the animated and illuminated central cube clad in corrugated glass.

Chris Stowers 摄影 | Photography by Chris Stowers

Liu Ruo-yu, Chairman of Taipei Performing Arts Center: “The completion of Taipei Performing Arts Center has a significant meaning for the arts. It is special in the sense that it is a platform that grows together with the younger generation. Their continuous reflection and practice will result in a spectacular arts scene in the future.”

Austin Wang, CEO of Taipei Performing Arts Center: “Taipei Performing Arts Center’s
completion represents the positioning of Taiwanese theater in 21st century contemporary theater. All perspectives are welcome. All possibilities are included. All art forms can
happen here.”

Chris Stowers 摄影 | Photography by Chris Stowers

The project is led by Rem Koolhaas, David Gianotten and Project Director Chiaju Lin, with Taiwanese design collaborator KRIS YAO | ARTECH.

Design consultants include Inside Outside, Arup, dUCKS Scéno, and Royal HaskoningDHV.

Test performances at Taipei Performing Arts Center took place between March and May 2022. The theater will be officially open to public in August.

Chris Stowers 摄影 | Photography by Chris Stowers

Image courtes y of OMA.

OMA是一间国际事务所，在传统的建筑和城市化研究框架内运作。而AMO则是一个研究和设计工作室，将建筑思想应用于传统领域之外。
OMA is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond.